Alejandro Escovedo Austin, Texas
The 21st century has been a time of widely successful excursion through music that only a few American musicians get to create. Between adventurous solo albums, continuing collaborations with other musicians and an ever-growing sense of boundary-pushing, Alejandro Escovedo has created his own definition of what a modern rock artist can accomplish. ... more
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supported by 74 fans who also own “Bury Me”
33 years after their first album they still sound like they have something to say.
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Live at the Shoals Theatre
by Mike Cooley, Patterson Hood, Jason Isbell
Weathervanes
by Jason Isbell and the 400 Unit
supported by 59 fans who also own “Bury Me”
1st time i heard DeathWish, i turned it off. felt rushed, not the Isbell i've come to admire. really grab'd me when i took time to listen on the 2nd try. the writing on these songs stopped me in my tracks more than once. raw talent with just enough polish in the delivery. thankyou Jason + 400 for another keeper
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Passion Fruit Boys
by Passion Fruit Boys
Nashville’s Passion Fruit Boys nail the effervescent janglepop of ’80s college radio with bright guitars and immediate hooks.
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Downey to Lubbock
by Dave Alvin
Soulful guitar interplay form the heart of this lovely Americana collaboration from Dave Alvin and Jimmie Dale Gilmore.
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Play It On The Tannoys
by Stranger The Horse
Rich and carefully-sculpted songs that cross-wire country and roots music with jazz, samba, and more.
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Bloody Noses EP
by Richard Thompson
supported by 57 fans who also own “Bury Me”
John Drumbo French from Captain Beefheart and The Magic Band worked with Thompson on two albums along with Fred Frith and Henry Kaiser. Those two French, Frith, Kaiser and Thompson albums led me to this. Also, Richard Thompson taught Hugh Cornwell (of The Stranglers) how to play the bass guitar in a band when they were both at the same school (Emil and The Detectives?). With a career spanning 50 years and playing with two of my heroes (French and Cornwell) Thompson has produced a fascinating EP.
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